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A fan of Leanne’s long-since canceled TV series ( Like Mother, Like Son), Claire accepts right away her assertion that “There are no endings, there are no ghosts,” and that she need only “ignore what your conscious mind tells you and open yourself up” to make contact with Madeline O’Malley. The first is an alcoholic former actor named Leanne Rease-Jones (Kelly McGillis), now working as a medium, and the other a nameless, very sad old man (George Riddle), who requests the suite where he long ago spent his honeymoon. And so she helps to bring together Luke’s desires, however false, with some others, not quite articulated by a couple of guests for that last weekend. If Claire doesn’t quite see what’s in front of her, she is, of course, the conduit for the haunted house’s business. Claire misses that part, focused instead on the possibility of recording a spirit: “I can’t believe you never had your camera with you!” Yeah, well, he hangs his head. It’s weird, you think you would, but you don’t”), you realize he’s talking about real girls and his personal fantasies as much as Madeline O’Malley. But as he recounts his own purported interactions with the ghost (“The thing about physical encounters is you don’t really remember the details. A recent high school grad without plans for a future, she’s happy enough to indulge Luke, some 10 years older, if there’s an adventure in it.
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When she does jump, Claire inevitably reaches for her inhaler, a sign of her vulnerability as the designated girl-in-a-haunted-house as well as her frankly charming particulars. They divide the last weekend into 12 -hour shifts: Claire spends hers walking the hallways with Luke’s EV mic and a de rigueurish flashlight, and he… we don’t know what he does, but he seems to sit at the front desk and “troll paranormal forums,” occasionally finding videos he can use to make Claire jump. And so he’s enlisted her to do the work in his project, namely, recording the ghost of Madeline O’Malley, who killed herself in the hotel and then suffered indignity when the innkeeper hid her body in the basement for three days. If Claire is interested in the people and spirits around her, Luke believes he isn’t (“I’m not negative,” he explains, “I’m a realist”). This much is clear already in The Innkeepers, Ti West’s latest scary house movie.
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Luke is dismissive: “I don’t know,” he says, “I don’t spend my time trying to figure out what women want, especially dead ones.” “What do you think she wants?” Claire asks. The camera cuts from their faces, earnest as they agree on the bread question, to a long, angled shot from the ceiling, to show they’re surrounded by empty tables, a few set with silverware, water goblets, and red cloth napkins, the large dining hall lit by a chandelier.Īs they eat, they turn back to the subject at hand, the ghost. You always regret it.” Sensible Claire (Sara Paxton) and dweeby Luke (Pat Healy) are eating sandwiches he’s made for them, and she’s right, he should never have “bought that cheap bread.” They’re taking a dinner break during their last weekend working at the Yankee Pedlar Inn, which is about to close down after a century of servicing tourists to a small New Englandy town.
Film the innkeepers movie#
And unlike his previous film, the finely tuned "The House of the Devil," Ti West with "The Innkeepers" displays a distressing lack of decisiveness, feinting along any number of possible storylines before just bringing the movie to an unsatisfying close.“Never skimp on bread. But atmosphere, cheap thrills and a sense of dread on their own can only get you so far. Now, this is the kind of nostalgia that I can usually get into, especially as it involves old hotels, not part of a corporate chain, but each with their own distinctive charm and history. Instead, Claire gets to meet Leanne Rease-Jones(Kelly McGillis), one time sitcom star, who she nearly squees herself into an orgasm over. They are hoping to get one last good look at the resident ghost. Its desk clerks, Claire(Sara Paxton, who is possibley a genetically engineered clone of Alexis Bledel) and Luke(Pat Healy), are camping out in the hotel for the weekend, what with the boss being in Barbados and all. In "The Innkeepers," the Yankee Pedlar Inn is closing its doors for good in a few days.